By John L. Pendergrass
Completing a triathlon at any age is an immense success; completing an IRONMAN® Triathlon on your sixties is little short of inspirational. a real account of John Pendergrass’ very unlikely aim of finishing six IRONMAN Triathlons on six continents, all whereas in his sixties, opposed to the chances will shatter your preconceptions of what a guy in his golden years can accomplish.
For most folk, their sixties are a time to decelerate, take issues effortless, and contemplate a existence good lived. no longer for Pendergrass. As his 60th birthday loomed, he longed for a problem that may push him to his limits and force him to accomplish whatever that few humans had ever performed before.
Pendergrass stumbled on his solution within the IRONMAN Triathlon, the world’s so much tricky persistence occasion: an intimidating 2.4 mile swim in open water, a grueling 112 mile motorcycle journey, and an arduous 26.2 mile run—all within the related day. a complete of 140.6 miles, nonstop... a enormous job for males part his age.
Against the chances follows Pendergrass via each one onerous step as he struggles opposed to time, doubt, and his personal actual obstacles to reach drained, yet successful on the end line. From the deserts of Arizona to the bush of South Africa, from the seashores of Brazil to the coasts of recent Zealand, this trip chronicles not just the races themselves, but additionally the breathtaking international locations that host them. informed with modesty and humor, opposed to the percentages is a narrative of extraordinary force and outstanding braveness that would motivate you to new heights many may well in simple terms dream of reaching
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Additional resources for Against the Odds: The Adventures of a Man in His Sixties Competing in Six of the World's Toughest Triathlons across Six Continents
35 This navigation between seemingly separate systems of signification, discussed in medieval semiological theory, drives medieval allegorization. To this extent, “twelfth-century allegorization [ . . ”36 Whitman takes the viewpoint that this process does more than attempt to verify concepts through appeal to the auctores. 37 Whitman suggests that this division between the pagan and Christian significations of a figure further complicates the expression of concepts in medieval allegories. He provides various examples which could be attached to the sun as an example of divine signification.
Longinus’ On the Sublime, importantly, shows that the sublime is not a strictly modern concept. The presence or absence of the sublime is linked to the philosophical conditions and aesthetic preoccupations of different eras. S. Lewis, for instance, denies the sublime as an aesthetic category available to the medieval imagination. He centralizes, instead, beauty and the sacramental symbol. In The Discarded Image, Lewis employs exactly this image of the contemplation of the night sky to articulate the primary distinction between the medieval and modern conceptualization of the infinite.
Indeed, the symbolic interpretation of language is no less venerable than the symbolism of number. But antique studies of rhetoric did not give rise to a cosmic symbolism comparable to Pythagorean mathematics and number theory, the reason being inherent in the respective possibilities of number and language as images of perfection. Nevertheless, belief in the symbolic value of revered texts was part of the classical heritage of the Christian Middle Ages. 19 Allegory thus serves as the semiotic system par excellence.
Against the Odds: The Adventures of a Man in His Sixties Competing in Six of the World's Toughest Triathlons across Six Continents by John L. Pendergrass