By Peter Stoneley, Cindy Weinstein
An authoritative advisor to American literature, this significant other examines the experimental types, socio-cultural alterations, literary activities, and significant authors of the early twentieth century. This spouse offers authoritative and wide-ranging tips on early twentieth-century American fiction.
- Considers typically studied authors equivalent to Faulkner, Fitzgerald, and Hemingway, along key texts of the interval via Richard Wright, Charles Chesnutt, Zora Neale Hurston, and Anzia Yezierska
- Examines how the works of those various writers were interpreted of their personal day and the way present readings have accelerated our figuring out in their cultural and literary value
- Covers a large variety of issues, together with the 1st and moment global Wars, literary language variations, writer star, the city panorama, modernism, the Jazz Age, the nice melancholy, regionalism, and African-American fiction
- Gives scholars the contextual info beneficial for formulating their very own evaluations of vintage American fiction
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Additional info for A concise companion to American fiction, 1900-1950
In detailed and telling analyses of Faulkner’s Absalom, Absalom! (1936), Flannery O’Connor’s Wise Blood (1952) and “The Artiﬁcial Nigger” (1962), Dore ﬁnds that “Southern literature” is actually more closely aligned with a progressive modernist aesthetic than with the ideas of the Agrarians. Dore’s chosen authors are interested in “crossed identities,” whereby a would-be “pure” racial self is seen to dissolve into that which it deﬁnes as other to itself. A key scene for this argument is when Faulkner’s Thomas Sutpen calls at the front door of a grand plantation house.
We might feel that we assimilate and respond to such features without ever stopping to note them, or without checking that we have a vocabulary that enables us to describe them. ” In the following chapter, Keith Gandal moves away from an “aesthetic appreciation” of Fitzgerald’s style and instead contextualizes The Great Gatsby (1925) in a radically unstylistic way. He points out that, aside from the First World War itself, the experience of mobilization for war was a vast upheaval that had profound effects on American society and culture.
In “The Radical 1930s,” Alan Wald considers the Great Depression of the 1930s as a feature in and inﬂuence upon the ﬁction of that decade. He delineates a generation of writers from the lower classes who, while not averse to literary experimentation, were committed to writing accessible narratives that might have a beneﬁcial social effect. These writers often had some degree of Marxist belief or afﬁliation, and they were able to manifest their beliefs through the techniques of realism and naturalism, to which they added modernistic renderings of consciousness.
A concise companion to American fiction, 1900-1950 by Peter Stoneley, Cindy Weinstein