By Caroline F. Levander, Robert S. Levine
A significant other to American Literary reports addresses the main provocative questions, matters, and concerns animating the sphere. Essays supply readers with the data and conceptual instruments for realizing American literary reviews because it is practiced at the present time, and chart new instructions for the way forward for the subject.Offers updated money owed of significant new severe techniques to American literary experiences provides cutting-edge essays on a whole variety of themes crucial to the fieldEssays discover serious and institutional genealogies of the sector, more and more diversified conceptions of yank literary learn, and unparalleled fabric adjustments akin to the electronic revolution a special anthology within the box, and a vital source for libraries, school, graduate scholars, and complex undergraduates
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Extra resources for A Companion to American Literary Studies (Blackwell Companions to Literature and Culture)
But in what ways do such choices make a difference? If the preference of one form over another itself stands forth as an expression of social content, if the choice of poetry over prose resonates with potential political significance, then what content is being expressed and what sort of politics are being signified? These questions are potentially rather incautious ones, leading to dubious but familiar assertions about the reactionary nature of diatribes or the progressive nature of the avant-garde.
Burke, Kenneth. ” In American Writers’ Congress (pp. 87–93). Ed. Henry Hart. New York: International Publishers, 1935. Clark, Harry Hayden. ” Studies in Philology 26 (January 1929): 1–22. Clark, Harry Hayden. ” Transactions of the Wisconsin Academy of Sciences, Arts and Letters 25 (1930): 39–50. Elliott, Emory. Revolutionary Writers: Literature and Authority in the New Republic, 1724–1810. New York: Oxford University Press, 1982. Freneau, Philip. The Last Poems of Philip Freneau. Ed. Lewis Leary.
While people often act from ambivalent motives, the formal divisions that striate Freneau’s work are especially germane because his work, both as an essayist and as a poet, is so strongly identified with revolutionary politics. Acclaimed in his own day as the “Poet of the Revolution,” he has since been called a “literary Minute-man” for his readiness to lend his creative talents first to the cause of independence in 1776 and then later to radical republicanism, a crusade he championed until his death in 1832 (Hustvedt 1).
A Companion to American Literary Studies (Blackwell Companions to Literature and Culture) by Caroline F. Levander, Robert S. Levine