By Robert Paul Lamb
A spouse to American Fiction, 1865-1914 is a groundbreaking selection of essays written via best critics for a large viewers of students, scholars, and basic readers.
- An highly broad-ranging and available Companion to the learn of yankee fiction of the post-civil conflict interval and the early 20th century Brings jointly 29 essays through most sensible students, each one of which provides a synthesis of the simplest examine and provides an unique standpoint
- Divided into sections on ancient traditions and genres, contexts and issues, and significant authors
- Covers a mix of canonical and the non-canonical issues, authors, literatures, and significant methods
- Explores cutting edge issues, reminiscent of ecological literature and ecocriticism, children’s literature, and the impact of Darwin on fiction
Chapter 1 The perform and advertising of yank Literary Realism (pages 15–34): Nancy Glazener
Chapter 2 pleasure and attention within the Romance culture (pages 35–52): William J. Scheick
Chapter three The Sentimental and household Traditions, 1865–1900 (pages 53–76): Gregg Camfield
Chapter four Morality, Modernity, and “Malarial Restlessness”: American Realism in its Anglo?European Contexts (pages 77–95): Winfried Fluck
Chapter five American Literary Naturalism (pages 96–118): Christophe Den Tandt
Chapter 6 American Regionalism: neighborhood colour, nationwide Literature, international Circuits (pages 119–139): June Howard
Chapter 7 girls Authors and the Roots of yank Modernism (pages 140–148): Linda Wagner?Martin
Chapter eight the fast tale and the Short?Story series, 1865–1914 (pages 149–174): J. Gerald Kennedy
Chapter nine Ecological Narrative and Nature Writing (pages 177–200): S. ok. Robisch
Chapter 10 “The Frontier Story”: The Violence of Literary background (pages 201–221): Christine Bold
Chapter eleven local American Narratives: Resistance and Survivance (pages 222–239): Gerald Vizenor
Chapter 12 Representing the Civil warfare and Reconstruction: From Uncle Tom to Uncle Remus (pages 240–259): Kathleen Diffley
Chapter thirteen Engendering the Canon: Women's Narratives, 1865–1914 (pages 260–278): Grace Farrell
Chapter 14 Confronting the concern: African American Narratives (pages 279–295): Dickson D. Bruce
Chapter 15 Fiction's Many towns (pages 296–317): Sidney H. Bremer
Chapter sixteen Mapping the tradition of Abundance: Literary Narratives and purchaser tradition (pages 318–339): Sarah manner Sherman
Chapter 17 secrets and techniques of the Master's Deed field: Narrative and sophistication (pages 340–355): Christopher P. Wilson
Chapter 18 Ethnic Realism (pages 356–376): Robert M. Dowling
Chapter 19 Darwin, technological know-how, and Narrative (pages 377–394): Bert Bender
Chapter 20 Writing within the “Vulgar Tongue”: legislation and American Narrative (pages 395–410): William E. Moddelmog
Chapter 21 making plans Utopia (pages 411–427): Thomas Peyser
Chapter 22 American kid's Narrative as Social feedback, 1865–1914 (pages 428–448): Gwen Athene Tarbox
Chapter 23 an idea of Order at harmony: Soul and Society within the brain of Louisa may well Alcott (pages 451–467): John Matteson
Chapter 24 the USA Can holiday Your middle: at the value of Mark Twain (pages 468–498): Robert Paul Lamb
Chapter 25 William Dean Howells and the Bourgeois Quotidian: Affection, Skepticism, Disillusion (pages 499–517): Michael Anesko
Chapter 26 Henry James in a brand new Century (pages 518–535): John Carlos Rowe
Chapter 27 towards a Modernist Aesthetic: The Literary Legacy of Edith Wharton (pages 536–556): Candace Waid and Clare Colquitt
Chapter 28 Sensations of fashion: The Literary Realism of Stephen Crane (pages 557–571): William E. Cain
Chapter 29 Theodore Dreiser and the strength of the non-public (pages 572–585): Clare Virginia Eby
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Extra resources for A Companion to American Fiction 1865-1914
James, Henry. The Bostonians. 1886. James, Henry. The Turn of the Screw. 1898. Jewett, Sarah Orne. The Country of the Pointed Firs. 1896. Johnson, James Weldon. The Autobiography of an Ex-Coloured Man. 1912. Kirkland, Caroline. A New Home, Who’ll Follow? 1839. Melville, Herman. Moby-Dick; or, The Whale. 1851. Norris, Frank. The Octopus: A Story of California. 1901. Norris, Frank. The Responsibilities of the Novelist. 1903. Page, Thomas Nelson. In Ole Virginia. 1887. Phelps, Elizabeth Stuart. The Story of Avis.
March was one of those wives who exact a more rigid adherence to their ideals from their husbands than from themselves,’’ remarks Howells’s narrator in A Hazard of New Fortunes (1890), and a reader’s understanding that this generalization is intended humorously doesn’t keep it from evoking a world of knowable social types and familiar scenarios. As types, fictional characters embodied truths about certain groups of people, but these collective dimensions of characterization were not supposed to reinforce any recognizably political analysis of society.
Huck Finn, Silas Lapham, and Verena Tarrant (a leading character in The Bostonians) do not much resemble Charlotte Bronte¨’s title character Jane Eyre (1847), one of Lynch’s key examples, but they all secure our interest by proving to be inwardly more complex than a lesser reader might expect. This development of literature around an aesthetic of seemingly innate personal value resulted in part, Lynch suggests, from writers’ and readers’ anxieties about the penetration of market relations and marketdriven standards of value into social and cultural life (p.
A Companion to American Fiction 1865-1914 by Robert Paul Lamb